Thursday, April 21, 2011

Module 6

Responding to Poetry
Poetry & Fiction


Bibliographic Citation










Beaumont, Jeanne Marie & Carlson, Claudia. 2003. The Poets' Grimm: 20th Century Poems from Grimm Fairy Tales. Ashland, OR: Story Line Press. ISBN  978-1-5865-4027-2.


Stein, David Ezra. 2010. Interrupting Chicken. Somerville, MA: Candlewick Press. ISBN 978-0-7636-4168-9



  

Critical Analysis


Jeanne Marie Beaumont and Claudia Carlson, the compilers of The Poets' Grimm: 20th Century Poems from Grimm Fairy Tales, offers the reader a collection of poems that feature the contributions of one hundred and twelve living contemporary poets. This volume is the modern-day poets' response to the fairy tales collected by the Brothers Grimm in the early 1800s in Germany. Jeanne Marie Beaumont and Claudia Carlson offers that the Grimm Fairy Tales "share common roots of concision and communal energy derived from an oral tradition . . . that reveal the complex relationship that exists between contemporary poets and a received body of myth or lore."

David Ezra Stein, the author and illustrator of Interrupting Chicken , provides an excellent pairing to Jeanne Marie Beaumont and Claudia Carlson's The Poets' Grimm: 20th Century Poems from Grimm Fairy Tales.  Interrupting Chicken, humorously introduces three Fairy Tales to the reader: “Hansel and Gretel,” “Little Red Riding Hood,” and “Chicken Little.”  Stein's children's book offers the reader an enjoyable and entertaining alternative to the scary, shocking, and on occasion, gruesome  Grimm Fairy Tales. 

Follow-Up Activity

For the upper grades, the students will read Grimm's Little Red Riding Hood. For kindergarten and the lower grades, the teacher will share several versions of the Little Red Riding Hood fairy tale with the students. Then, students will read or listen to the teacher read Stein's Interrupting Chicken.  Next, students will read or listen to Ali’s poem The Wolf’s Postscript of Little Red Riding Hood. The teacher will allow students to work in groups to act out the poem. Finally, the students will perform their version of the poem with the class.


Highlighted Poem



















The Wolf's Postscript to 'Little Red Riding Hood'

By Agha Shahid Ali





First, grant me my sense of history:
I did it for posterity,
for kindergarten teachers
and a clear moral:
Little girls shouldn't wander off
in search of strange flowers,
and they mustn't speak to strangers.


And then grant me my generous sense of plot:
Couldn't I have gobbled her up
right there in the jungle?
Why did I ask her where her grandma lived?
As if I, a forest-dweller,
didn't know of the cottage
under the three oak trees
and the old woman lived there
all alone?
As if I couldn't have swallowed her years before?


And you may call me the Big Bad Wolf,
 now my only reputation.

But I was no child-molester
though you'll agree she was pretty.


And the huntsman:
Was I sleeping while he snipped
my thick black fur
and filled me with garbage and stones?
I ran with that weight and fell down,
simply so children could laugh
at the noise of the stones
cutting through my belly,
at the garbage spilling out
with a perfect sense of timing,
just when the tale
should have come to an end.


Interrupting Chicken
Little Red Riding Hood
By David Ezra Stein

"Take this basket of goodies to Grandma,"
said Little Red Riding Hood's Mother.
"But don't stray from the path. The woods are full of danger."
Red Riding Hood skipped along through the deep woods.
By and by she met a wolf who wished her
"Good morning."
She was about to answer him when-
Out jumped a little red chicken, and she said,
"Don't talk to strangers!"
So Little Red Riding Hood didn't.
THE END!
"Chicken."
"Yes, Papa?"
"You did it again. You interrupted two stories,
and you're not even sleepy!"
"I know, Papa! I'm sorry. But he was a mean old wolf."
"Yes, Now get back into bed."
Okay, Papa, Let's try one more little story, and I'll be good!"


Janeczko Collection




Bibliographic Citation

Janeczko, Paul B. 2002. Seeing the Blue Between: Advice and Inspiration for Young Poets.  Cambridge, MA: Candlewick Press. ISBN 9780763608811.

Critical Analysis


Seeing the Blue Between: Advice and Inspiration for Young Poets is compiled by Paul B. Janeczko. In this collection, Janeczko has comprised 132 pages of well written poems that are appropriate for children in upper elementary and middle school grades. The rhythm and rhyme in this collection is a mixture of conventional prose in the form of letters and a blend of free-style and rhyming verse. This volume provides the reader with letters from prominent a poet who offers advice and encouragement to budding young poets. In company with the letters are selections by each contributor's poems. The novice poet will gain knowledge from the experiences of established poets as they attempt to unearth their own poetic voice.

Paul B. Janeczko offers the reader a Table of Contents, which begins with the name of each notable poet, followed by their letter to the reader and their poetry selection. Janeczko’s forward provides the reader with encouraging words that offers advice on becoming an exceptional writer. Further, this collection ends with a section entitled "Notes on Contributors" which provides the reader with a black and white picture of each poet with a concise biography. Finally, a useful "index of First Lines" is also incorporated in conjunction with the "Acknowledgments.”


Follow-Up Activity

First, as an introduction to Jane Yolen’s poem, “Gingerbread Boy,” ask students to turn and talk to their partner and tell their partner what they know about gingerbread boys. Second, throughout the week, read several versions of the gingerbread boy story to the students. Third, write Jane Yolen’s poem “Gingerbread Boy” on chart paper and decorate the chart paper with five large gingerbread boy shapes.  Next, die cut five gingerbread boy shapes, number each gingerbread boy from one to five, laminate the gingerbread boys, and tape each gingerbread boy to a popcicle sticks.  Then, attach magnetic tape to the back of the gingerbread boys and place them on the whiteboard to use with the poem.  Each day the leader uses the pointer to read the poem to the class.  If he or she gets "stuck" on any of the numbers, the class will help the student back up and read the poem from the beginning until the leader is able to name the number.  This will provide the teacher an opportunity to assess the student’s ability to recognize the numbers from one to five.  The teacher will utilize the magnetic gingerbread boys on the whiteboard to have the students name numbers in random order and to put mixed up gingerbread boys in the correct number order. 

Highlighted Poem

Gingerbread Boy
By Jane Yolen

The world is one mouth.
So many teeth bite my heels
I run on my toes.



Poetry by Kids




Bibliographic Citation

Nye, Naomi Shihab. 2000.  Salting the Ocean: 100 Poems By Young Poets. Illustrated by Ashley Bryan. New York: Mifflin Greenwillow Books: An Imprint of HarperCollinsPublishers.  978-0-688-161934.

Critical Analysis

Naomi Shihab Nye, the compiler of this volume of poems, selected the poems from the immense stacks that she has collected from her classes over the past twenty-five years and embodies students in grades first through twelve. This is great collection of poems that offers an assortment of topics and poetic forms. Ashley Bryan’s illustrations compliment the poems in this selection. Each illustration is full-color art achieved through tempera paints. This anthology is a terrific addition when introducing poetry to children. Naomi Shihab Nye’s volume will allow the students to see the many forms of poetry that exist as well as inspire them to create a poem book of their own creation.

Follow-Up Activity

Before introducing a unit on Spring, share the poem “Mixed-Up Spring” with the students. Then, after reading the poem, allow the students to take a nature walk to observe nature’s signs of Spring. Next, students will draw and write what they hear, feel, smell, and see that will show a mixed-up Spring. Finally, students will share their observations with the class. The teacher will display the student’s creations in the classroom science center.

Highlighted Poem

Mixed-Up Spring
By Jessica Caitlin Zachary

   The stone chases golden sunlight.
I chase the stone.
Sunlight crackles
and pebbles shine.

   The trees gleam
and grass whistles.
Leaves bud
and flowers flow.
Bees burn
and metal stings

Tuesday, April 5, 2011

Module 5 Poetry Performance

Module 5
Poetry Performance

Performance Poetry
For Two Voices



Bibliographic Citation

Rubin, Robert Alden. 1995. Poetry Out Loud. Chapel Hill, NC: Algonquin Books of Chapel Hill. ISBN 978-1565121225.

Critical Analysis

Poetry Out Loud is an enjoyable and easy to read compilation of poems edited by Robert Alden Rubin. James Earl Jones, a renowned American actor, provides the introduction for Rubin’s collection of poems. In the introduction, Jones shares with the reader how reciting poetry as a youngster, aided him with finding his own voice and conquering a speech impediment. Finally, Robert Alden Rubin offers marginal commentary which points out fundamental poetic terms and suggestions on how to recite each poem.

Follow-Up Activity

In this activity, children will work in groups to brainstorm a list of words that rhyme with sniffle. These rhyming words may include nonsense words. Next, students will divide and cut their papers with their list of rhyming words about sniffles and then try and put them all together to create their own poem entitled The Sniffle. Allow each group an opportunity to recite their version of the poem. Finally, display each group’s poem on the wall for all students to read.

Highlighted Poem

The Sniffle
By Ogden Nash.
In spite of her sniffle,
Isabel’s chiffle.
Some girls with a sniffle
Would be weepy and tiffle;
They would look awful,
Like a rained-on waffle,
But Isabel’s chiffle
In spite of her sniffle.
Her nose is more red
With a cold in her head,
But then, to be sure,
Her eyes are bluer.
Some girls with a snuffle,
Their tempers are uffle,
But when Isabel’s snivelly,
She’s snivelly civilly,
And when she is snuffly
She’s perfectly luffly.


Hopkins Award Poetry




Bibliographic Citation

Myers, Walter Dean. 2006. Jazz.  Illustrated by Christopher Myers. New York: Holiday House Book. ISBN 978-0-8234-1545.

Critical Analysis

Walter Dean Myers’ collection of eighteen poems celebrates the rich heritage of jazz music and offers the reader a valuable resource for the study of jazz. Myers introduces his assortment of poems with a thorough account of what jazz is and how it has developed over the years. Each poem in Myers book is on a two page spread, with the exception of “Three Voices.”  This is a triplet of poems with the individual poems entitled, “Bass,” “Piano,” and “Horn.” In each of these three poems, Myers creates a rhythm that matches the instrument. The end of Myers book includes a glossary, jazz terminology and a timeline of jazz music. Walter Dean Myers creates rhythmic poems that reverberates the sounds of jazz.
Christopher Myers, the son of Walter Dean Myers, illustrations are in black ink on acetate and placing it over acrylic produces culturally realistic drawings that compliments his father’s wonderful poems. Each of Christopher Myers pictures is daring, vivid and inviting to the reader. The poems and illustrations flawlessly work together to generate the mood of jazz in print.

Follow-Up Activity

On the computer, access the Jazz Kid website.  Navigate to the Now and Then section. Allow students to read the biography of Louis Armstrong, and listen to any samples of compositions by him available on the website. Explain to the students that you will be reading listening and reading poems in the book Jazz. Read aloud the poem Horn and tell the students that this poem is about jazz great Louis Armstrong. Lead a discussion about the poem and what they learned about jazz.


Highlighted Poem

Horn
By Walter Dean Myers

What can I add with my horn?
Is it a new sound born because we are
Together?
Or is it just a melody that’s leading me
To where I want to be and loosed from
My tether?
And is it really not surprising that our
Spirits are all rising and drawing us
Even higher
Three souls on fire
Um-hmmm



Sidman Poetry


Bibliographic Citation

Sidman, Joyce. 2009. Red Sings from treetops: A Year in Colors.  Illustrated by Pamela Zagarenski. New YorK: Mifflin Harcourt Publishing Company. 978-0-547-01494-4.

Critical Analysis

Red Sings from Treetops: A Year in Colors is a superb book of poetic prose written by Joyce Sidman and illustrated by Pamela Zagarenski. This book of poetry is bursting with beautiful imagery and rhythmic language.  The illustrations are colorful, eye-catching Caldecott Honor award winning works of art. The illustrations are on wood blocks that are painted and collaged to create a breathtaking story in verse about the four seasons. The colorful visions of the seasons are easy to discern from the various photos.

Follow-Up Activity

Read aloud the poem Spring to the children. Tell the students that they will draw pictures of their favorite season from the book and write a sentence about it or work with a partner and create their own poem about their favorite season and illustrate their work. Children may base their drawings on the illustrations by Pamela Zagarenski or use their imagination to create their own creation.

Highlighted Poem

Spring
By Joyce Sidman

In SPRING,
Red sings
from treetops:
cheer-cheer-cheer,
each note dropping
like a cherry
into my ear.

Red turns
the maples feathery,
sprouts in rhubarb spears;
Red squirms on the road after rain.